Remote Song Production, Tracking, and Mixing for $800

Great records start with the exploration and capture of great songs. Whether that experience means radio-ready vocals or competitive creative insight, I want to start that journey with you by giving you the remote tracking experience you deserve to achieve your goals and be the unique artist that you are. So, how can we make that happen? First, let’s look at what I will be offering on my end…

What you get:

My song production services include audio capture of live performances, Track editing, my ears on everything through the entire process, my services as a player on any instrument you would like to use me on (I am a multi-instrumentalist who primarily excels on guitar, drums, bass, and keys. We could essentially build a full band production via overdubbing), Pro Tools Session Organization and Labeling, File Organization and Archiving into a “Mixing Ready” Folder, and Creative Investment.

What you do not get:

A 24hr service
When I’m making a record it’s important to separate work from off time. I ask that artists respect and remember that I can not be on the clock 24 hours a day and ask that we work between an established time frame that falls between 8 AM and 10 PM, not exceeding a work day of 14 hours. If my services are needed for more than 14 hours in a single day, the artist and I can discuss an “overtime” rate.

About me:

I have worked with a number of label and independent artists as a player, engineer, and producer in numerous studio environments ranging from the genres of Americana, Country, Alternative Rock, Hardcore, Punk, Pop Country, and Laurel Canyon Rock. I have had the pleasure of working with artists like "Sarah Shook & the Disarmers", "Anders Thomsen" (Former guitarist for Chuck Berry's band), and countless others in the Country and Americana genre which is where I excel. My full list of credits can be found on my profile page.

I don’t say that as some sort of lame attempt at self-gratifying bragging rights based on the past… It’s more so to simply say I care a hell of a lot about what I do and I want you to know you’re trusting a person that cares immensely about your art.
Tracking and mixing can be easy to screw up, and I have seen (and even been a part of) countless bands that waste money on “Big Studios” only because they were impressed by the gear selection, thinking the quality will imprint some greatness on what turned out to be a shit performance.
I want to help you make a record that sounds great. That’s it.