Professional Mixdown with complementary master for $249

As a seasoned music producer and mix engineer with over a decade of experience, I offer professional mixdown services from my well-equipped studio hidden in the woods of Australia's Sunshine Coast. My monitoring system is: Yamaha HS80M Monitors, Universal Audio Apollo x8 (utilising DSP for the best versions of their plug-ins) and SoundID in a small-medium room with very high tilted ceilings and plenty of diffusion at the listening height. I am in the perfect room to offer a high quality mix at an affordable price because mixing in here is FAST. I've also produced tracks for platinum-verified artists, worked with top-tier creative directors like Squared Division on internationally broadcast stadium shows, and had plenty of my mixes and music featured on major Spotify playlists and national radio (Triple J).

We can have a call to begin the process if that's what you're used to, but usually people just email me with the stems and a few references and anecdotes about the vision for the record. I encourage you to do the same, but we can call too. There is no hard limit on how many stems you want to give me, but keeping things to around 100 tracks is good for me unless the song is ultra long and naturally exceeds that. I don't do attended online mixdowns with clients for version 1 of the mix, but we can easily do that for revisions if need be. Max 5 revisions.

If you have Ableton or Pro Tools I am happy to receive session files from either DAW to mix and can send them back in that format, otherwise I will mix your stems in Pro Tools and deliver some mixed stems and the premaster, instrumental and complementary master as 24-bit 48kHz WAVE files. You may request other file formats.

I've been an artist myself and I empathise with the ups and downs of your momentum. Mixing is a good thing to outsource to fresh ears - it reduces a lot of pressure about the song. Notable artist achievements of mine include selling out my debut show as HARRY FOX, musically directing main stages at Australian festivals like The Grass Is Greener, and scaling the boutique music company SOUNDMODA to triple its size and revenue.