Electric / Acoustic Guitar and Bass Recording for $80

- POP / ROCK / METAL / BLUES / JAZZ
- Selection of single coil and humbucker guitars for versatile sound
- Plethora of real amplifiers and in-the-box sims
- Able to play pre-written parts or write guitar parts to complement existing music with up to 3 revisions with 3 separate takes for each part
- Will provide both DI tracks for re-amping and a variety of tones per take for multiple separate 44.1kHz 24 bit WAV files
- Acoustic instruments will be double miked and DI recorded

I am a guitarist with 10 years' experience playing a range of genres both live and recorded. Over this time I have developed both a keen ear and knowledge of music theory, allowing me to improvise and compose guitar parts for any situation, as well as technical proficiency on the instrument itself in addition to the recording process.

My equipment includes:

GUITARS

Electric

- 2017 Jackson JS (China)
- 2014 Fender Stratocaster (Mexico)
- 2013 Epiphone ES-335 (Indonesia)
- 1991 Hondo Professional (Japan)

Acoustic

- 2020 East Coast D1SCE (Asia)
- 1993 Yamaha F-310 (Indonesia)
- 1976 Yamaha FG-332 (Taiwan)

Bass

- 1990 Shine Acoustic Bass GFB-106CE (China)
- 1988 Fender Precision Bass (Japan)

AUDIO EQUIPMENT

- Behringer UMC204HD Interface
- Focusrite Scarlett 6i6 Interface
- PreSonus FireStudio 26x26 Interface
- Mackie Onyx Satellite Interface [x2]

- Fender Mustang III V2 Guitar Amp
- Line 6 Spider Guitar IV Amp
- Hartke B15 Bass Amp
- Line 6 LowDown Studio 110 Bass Amp

SOFTWARE

- Reaper DAW
- BIAS AMP Professional
- BIAS FX 2
- Le Poulin Suite
- ML Sound Lab Amp Sims
- Joey Sturgis Tones Conquer All Cabinet Impulses
- Waves Plugins Suite

I will record guitar and bass parts for a single song up to 10 minutes in length, which includes rhythm parts, lead parts and harmonies as required. This service provides 3 takes per revision, each run through a selection of amps and sims for the greatest mix flexibility according to your specific requirements. I will provide sample audio files at the start so clients can establish a ball park sound (e.g. sparkly cleans, classic rock crunch) for the tracks, and will ultimately provide files for DI, 'dry' amped, and processed stems to the specification of the customer. Adding effects will not count as a revision - this can be done as we communicate throughout the process, but re-recording the playthrough will use a revision, which are free up to the third recording.