I'm a vocalist, topliner, songwriter and pianist based in London, UK, but working with people all over the world (hello Zoom sessions!)


Making something out of nothing is my favourite thing to do, so I feel very fortunate to be able to create music every single day! I'll always make sure to deliver to the best of my abilities and go back and forth until we're all happy.


**Please have a l...
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I'm a vocalist, topliner, songwriter and pianist based in London, UK, but working with people all over the world (hello Zoom sessions!)


Making something out of nothing is my favourite thing to do, so I feel very fortunate to be able to create music every single day! I'll always make sure to deliver to the best of my abilities and go back and forth until we're all happy.


**Please have a listen to audio example to hear if my skills can complement yours**


RECORDING VOCALS
I specialise in pop vocals (soft / dreamy / breathy / energetic / belt / power), but can deliver a mean rock number too, if requested. I get a weird kick out of building and stacking up harmonies, so can on request deliver backing vocals too (usually more than needed and then you get to choose what you're keeping).

Microphone: a wide range of mic emulations via Slate VMS-1 (Neumann U47, Telefunken ELA M251, Sony C800g etc) and a Sure SM7B going into an Apogee. I’m also a wizard on Melodyne making sure tuned vocals sound as natural as possible, or can deliver hard ‘auto-tuned’ style vocals if that’s what your project needs!


TOP-LINING / SONGWRITING / CO-WRITING
*contact for pricing: to discuss 50% royalties or a buy-out*
"I'll be a vocal melody to your awesome track.
I'll be the words to your story.
I'll be a bed of chords to your melody..."
My poetry is usually better than this. I promise!


RECORDING PIANO
I record piano on Nord Stage 2, but use a wide variety of piano plugins, depending on what your project needs (power ballad accompaniment or cinematic short movie composition..)

Almost forgot to mention, I'm unofficially diagnosed workaholic, so. . .
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