I produce, record, edit, and mix music. Much like a performer my craft requires a lifetime of never-ending practice and improvement, as well as the need for the technique to become second nature so that I can focus on the music. My goal is always to be able to step back and be absorbed by recordings on an emotional level - to not be conscious of the speakers, the processing, the mixing, the micr...
Read More

I produce, record, edit, and mix music. Much like a performer my craft requires a lifetime of never-ending practice and improvement, as well as the need for the technique to become second nature so that I can focus on the music. My goal is always to be able to step back and be absorbed by recordings on an emotional level - to not be conscious of the speakers, the processing, the mixing, the microphones.

Some highlights are:

FILM & MEDIA
Supervising Music Editor for Sir Peter Jackson's Hobbit Trilogy & The Lord of the Rings: The Return of the King (composer: Howard Shore)

Music Producer & Scoring Mixer for Webzen's Soul of the Ultimate Nation MMORPG (composer: Howard Shore)

Scoring Mixer & Music Editor for Google’s Spotlight Stories Age of Sail VR animated short (composer: Scot Stafford)

Scoring Engineer & Mixer for Korean feature 2009: Lost Memories - recorded in Moscow & mixed in Seoul (composer: Dong-Jun Lee)

Music Editor for Darkest Hour, Paddington 2, Bumblebee (composer: Dario Marianelli)

Music Editor for Riverdance “The Animated Adventure” (composer Bill Whelan)

Music Editor for Downton Abbey: The Movie (composer: John Lunn)

Scoring Mixer for The Aviator OST (composer: Howard Shore)

Music Editor & Scoring Mixer for Tonko House's animated short Moom (composers: Zach Johnston & Matteo Roberts)

CLASSICAL
Balance Engineer, Digital Editing, & Mastering for the Cypress String Quartet's Beethoven: The Complete Quartets (Avie Records)

Producer, Digital Editing, Mixing, & Mastering for Elena Ruehr's Averno (Avie Records)

Mixing & Digital Editing for John Adam's The Dharma at Big Sur (Nonesuch)

Balance Engineer, Mixing, Digital Editing, & Mastering for The St. Lawrence String Quartet & Christos Hatzis The Awakening (EMI)

Balance Engineer for the Tin Alley String Quartet's Haydn Opus 20 Quartets (Move Records)

Atmos Mixing for the San Francisco Symphony’s binaural release of Henry Brant’s “Ice Field” (SFS Media)

NON-CLASSICAL
Mixing Engineer for Michael Franti & Spearheads iconic “Stay Human” album.

Recording Engineer for the SF Jazz Collective’s “The Music of Stevie Wonder” record.

noise reduction & artifact removal for Lady Gaga, The San Francisco Symphony, and The Colorado Symphony

instrument programming for Peter Asher, Graham Nash, and Anna Vissi
Read Less