A mix engineer with an ear for production, I will bring my love of arrangement and songcraft to your art.

I got my start playing in punk bands in the suburbs near Baltimore. By the end of high school, I led an outlandish ska band that would teach me to arrange for atypical ensembles, a discipline I would study deeply as a Contemporary Writing & Production major at a respected Boston music c...
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A mix engineer with an ear for production, I will bring my love of arrangement and songcraft to your art.

I got my start playing in punk bands in the suburbs near Baltimore. By the end of high school, I led an outlandish ska band that would teach me to arrange for atypical ensembles, a discipline I would study deeply as a Contemporary Writing & Production major at a respected Boston music college. By this time I had begun recording my own music and producing albums for bands in my hometown scene.

After graduating, I relocated to the greater New York City area, where I wrote a song that was sync licensed for the hit TV show Empire and later placed again on Bel-Air. Around this time I received a call from longtime friend and esteemed FOH engineer TJ Russell, who brought me on to record Cartel at their Chroma 10th Anniversary Tour NYC performance. That experience let to an opportunity to capture Marty Friedman during his first US tour since leaving Megadeth.

I’d taken a job as the engineer and studio tech for composer Marcelo Zarvos, recording numerous film and TV scores including Ray Donovan and The Affair. Immersed in a network of NYC composers, I was introduced to Andrew Hollander (Waitress, Carly Rae Jepsen) and went on to engineer many of his film scores, including Words on Bathroom Walls, a collaboration with The Chainsmokers. Andrew was producing the album Bronx Cheer with Steve Conte (New York Dolls, Cowboy Bebop), for whom I would also end up consulting and engineering.

Today my focus is on mixing inspiring songs for independent artists around the world. Releases by artists including BINX and Danny Garrett have rocketed straight to Spotify editorial playlists. I mixed the music for the award-winning documentary Clemente, scored by EMMY-winning composers Marcus Thorne Bagalà and Mark Baechle, with additional music by Samuel Thorne Bagalà. And Encounter Party, a project I’ve been involved with since its beginning, is now a Dungeons & Dragons official television show.

I currently reside in Kearny, NJ with my partner and our cat, rabbit, and two corgis.

Get in touch today--I can't wait to talk about your songs!
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